Insights from the University of Barcelona Conference

on Oct 10 2024
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    At a Glance

    On September 17, 2024, we held a public conference entitled "The Past Reassembled: The Art of Urushi Lacquer and Kintsugi as a Bridge Between Eras" at the University of Barcelona. Held in the boardroom of the Faculty of Fine Arts, the event attracted about 100 participants, including many with deep knowledge of kintsugi and urushi lacquer, making for an engaging and enriching experience.

    Written by Ken and Michie, The Kintsugi Labo JAPAN

    A Deep Dive into Kintsugi History

    The conference opened with a thorough and engaging presentation that set the stage for a deeper understanding of the intricate history and craftsmanship behind kintsugi and urushi lacquer. It was a real pleasure to delve into the rich heritage of these traditional Japanese arts and trace their origins back centuries. We discussed not only how kintsugi and urushi techniques have evolved over time, but also how Japan's lacquerware tradition has been uniquely shaped by foreign influences, adding depth to an already complex art. The presentation explored the cultural exchanges that influenced Japan's lacquer artistry, from early interactions with neighboring countries to the influence of European traders in the Edo period.

    Ken presenting the history of kintsugi and urushi lacquer at the University of Barcelona open conference, September 2024 — tracing centuries of Japanese lacquer art and cultural exchange

    Presenting the history of kintsugi and urushi lacquer at the University of Barcelona, September 2024

    The Role of Tea Masters in Elevating Kintsugi

    A key focus of the presentation was the significant role played by 16th-century tea masters, whose philosophy and practice helped elevate kintsugi into an art form celebrated for its aesthetic of embracing imperfection. These tea masters, such as Sen no Rikyū, were instrumental in the development and refinement of kintsugi, viewing the restoration of broken vessels as a symbol of resilience and beauty. By the end of the session, participants had gained a comprehensive understanding of the historical and cultural forces that contributed to the unique development of these remarkable Japanese traditions.

    Audience members at the University of Barcelona kintsugi conference taking photos and notes while viewing historic Japanese lacquer pieces — demonstrating global interest in urushi and kintsugi art

    Attendees eagerly studying historic lacquer pieces during the presentation

    It was truly inspiring to see so many people deeply engaged during the presentation. Many attendees eagerly took photos and detailed notes as we displayed historic lacquer pieces, each a remarkable example of craftsmanship that has withstood the test of time. These pieces are a living testament to the incredible artistry, precision and skill behind these traditional techniques. It was a pleasure to share the beauty and cultural significance of lacquer and kintsugi, and we hope it sparked a lasting appreciation for this unique art form.

    Live Demonstration of Kintsugi Artistry

    Restoration Techniques: From Mugi-urushi to Maki-e

    The lecture was followed by a live demonstration that captivated the audience. Mr. Nobuyasu Suginaka, a skilled artisan of The Kintsugi Labo JAPAN, demonstrated various restoration techniques using urushi lacquer. Step by step, the participants were guided through the processes of kintsugi restoration, including the application of Mugi-urushi, Kokuso-urushi and Sabi-urushi, as well as the decorative Maki-e technique. In addition, we introduced the restoration techniques for shrines and temples in Japan.

    Mr. Nobuyasu Suginaka of The Kintsugi Labo JAPAN performing a live kintsugi restoration demonstration at the University of Barcelona — applying urushi lacquer and 24K gold using traditional techniques including Mugi-urushi, Kokuso-urushi, and Maki-e

    Mr. Nobuyasu Suginaka demonstrating kintsugi restoration techniques with urushi lacquer

    The kintsugi demonstration was a particularly captivating moment, offering attendees the chance to see firsthand how these delicate and intricate methods can breathe new life into damaged objects. Seeing the transformation unfold before their eyes truly brought the philosophy of kintsugi to life as broken pieces were carefully restored, transforming imperfection into a form of beauty. The craftsmanship demonstrated by Mr. Suginaka was undoubtedly a highlight of the event. His expertise and precision in handling the materials with such grace and patience left the audience in awe.

    Despite the relatively short duration of the demonstration, it was clear that the intricate process of restoration struck a deep chord with the audience, many of whom were clearly fascinated by the detailed techniques and artistry involved in each step. The demonstration not only showed the practical skill of the craft, but also emphasized the profound cultural significance behind kintsugi, making it a truly memorable and enlightening experience for all in attendance.

    Closing Remarks and Reflections

    Lively Q&A session at the close of the kintsugi and urushi lacquer conference at the University of Barcelona — audience members engaging with The Kintsugi Labo JAPAN about traditional Japanese restoration art

    A lively Q&A session closing the conference at the Faculty of Fine Arts

    As the event concluded with a lively Q&A session, we couldn't help but feel an immense sense of satisfaction. The large turnout and enthusiastic audience participation demonstrated the growing global interest in traditional Japanese arts such as kintsugi. It was truly rewarding to see so many participants captivated by both the historical significance of the craft and the live demonstration that brought its delicate beauty to life.

    What stood out most was the audience's deep appreciation not only for the artistic techniques, but also for the rich cultural heritage that kintsugi represents. Seeing the intricate craftsmanship up close and understanding the deep connection between Japan's past and present was a moment that left a lasting impression. Many participants left with a newfound respect for this ancient craft, and their fascination was evident throughout the evening. It was an unforgettable experience that truly underscored the timeless appeal of kintsugi and its ability to resonate with people from all corners of the world.

    Sharing the Art of Kintsugi: A Bridge Between Cultures

    The open conference at the University of Barcelona provided an incredible platform to showcase the beauty and profound meaning of kintsugi and urushi lacquer to a wider audience. This event allowed us to not only showcase the intricate craftsmanship behind kintsugi, but also to delve into its deeper meaning — how this traditional Japanese art form symbolizes resilience, renewal and the embrace of imperfection. The positive reception and enthusiastic participation of attendees underscored the universal appeal of kintsugi, which transcends borders and cultures and serves as a metaphor for personal and collective healing.

    As we continue our mission to introduce kintsugi to people around the world, we are inspired by the idea that each restored piece has a unique story, just like the people who treasure it. Whether you are looking for an exquisite decorative piece or a deeply symbolic work of art, kintsugi offers more than aesthetic beauty — it offers a tangible reminder that brokenness can be transformed into something more meaningful. We invite you to explore our collection, find the piece that resonates with your journey, and be a part of this timeless tradition that bridges past and present, East and West, in a celebration of resilience and hope.

    Group photo of speakers and participants at the University of Barcelona kintsugi and urushi lacquer conference — celebrating the bridge between Japanese traditional art and global appreciation

    Conference speakers and participants at the University of Barcelona

    Download Presentation Materials ↗

    Every work in our collection began as a broken vessel — quietly restored with natural urushi lacquer by Japanese artisans devoted to the art of urushi.

    To hold one is to hold this living tradition.