Pure Silver Kintsugi Shigaraki Cup | Ember and Ash
CHF 478.00
Restored by Nobuyasu Suginaka
Hand-restored in Japan with traditional kintsugi techniques using natural urushi lacquer.
See more works by Nobuyasu Suginaka →Discover the Japanese Art of Kintsugi
Kintsugi, derived from the Japanese words "kin" (gold) and "tsugi" (to mend), is the ancient art of restoring broken pottery with natural Urushi lacquer and enhancing it with powdered metals such as pure gold.
Though often recognized abroad simply as "golden joinery," kintsugi is in fact one expression within Japan's broader tradition of urushi lacquer arts.
More than restoration, it is rooted in wabi-sabi—embracing imperfection, resilience, and renewal, while honoring the vessel's history.
To truly understand this art, one must first look to its foundation: urushi lacquer, a natural and sustainable material remarkable for its strength and versatility. For centuries, this living medium has been used to create Japan's distinctive artistry.
Why Urushi Is the Heart of Kintsugi?
Urushi lacquer is a natural, sustainable material derived from the sap of the lacquer tree. It has been used for centuries in kintsugi due to its remarkable properties:
- Strong Adhesion: Ensures durable restoration.
- Water Resistance: Protects against leaks.
- Chemical Resistance: Resists acids, alkalis, salts, and alcohols.
- Thermal Insulation: Shields against heat.
- Antiseptic Properties: Naturally resists bacteria and fungi.
- Strong Film Formation: As the urushi lacquer dries, it forms a strong film that makes the restored piece resilient and durable.
These versatile properties make urushi lacquer perfect for kintsugi, creating strong, beautiful and durable restorations that honor the history of the original piece and become cherished heirlooms. In addition, urushi lacquer is a sustainable material that is naturally sourced and promotes eco-friendly craftsmanship that respects both tradition and the environment.
The Kintsugi Process (4–5 Months)
- Application: We carefully restore cracks, chips, or broken pieces with urushi lacquer, sometimes mixing with other natural materials for extra strength, depending on the damage.
- Layering: Restored areas are coated with several layers of urushi lacquer, dried, and polished several times to create a strong, smooth base.
- Decoration: Finally, we decorate the piece with metal powder. While pure gold is commonly used, we also use pure silver ("Gintsugi") and colored urushi lacquer ("Iro-urushitsugi") to match the original design.
Learn more about the fascinating techniques of Kintsugi!
Kintsugi isn't just about gold!
Finishing with pure silver (called "Gintsugi") and colored urushi lacquer (called "Iro-urushitsugi") are equally authentic forms of this art. Regardless of the type of finish, kintsugi honors imperfection, preserves history, and transforms each piece into a unique treasure.
Kintsugi Finish Type for This Piece:
| Finish Type | Materials Used | Special Features |
|---|---|---|
| Kintsugi | Pure gold powder | Offers a classic, elegant look that adds a touch of luxury. |
| Gintsugi | Pure silver powder | Brings a contemporary twist to traditional pottery with a sleek, modern style. |
| Iro-urushitsugi | Colored urushi lacquer | Adds a vibrant, artistic touch that impressively complements the design and style of the original vessel. |
Other Decorative Techniques for This Piece
- Nashiji Technique: In this technique, Nashiji powder, like gold or silver, is sprinkled onto the surface of the lacquered object. A clear lacquer is then applied, and the surface is polished to the extent that the powder is not exposed. The result is a stunning, glittering finish that looks like stars shining through the transparent urushi lacquer. The name Nashiji means "pear skin" in Japanese.
- Urushi-e, colorful lacquer painting: A historic technique of hand-painting with colored urushi lacquer, adding artistry and timeless refinement to the piece.
About This Piece
Shigaraki Earth, Eight Centuries Deep
Shigaraki ware belongs to Japan's Six Ancient Kilns, with over 800 years of tradition. This hand-thrown cup carries an ivory white surface with dark iron spots, its robust rounded form and organic silhouette shaped by the potter's hands in the wabi-sabi spirit.
Where a Fragment Was Lost, Urushi Answers
Reassembled from several broken pieces and a missing section near the rim, this cup presented a complex restoration. Master artisan Nobuyasu Suginaka, with over 40 years of lacquer expertise honed through decades of restoring sacred temples and Buddhist altars, rebuilt the vessel over four months with natural urushi lacquer. Silver seams rejoin each fragment, brought to the deep luster of roiro, the pinnacle of urushi finishing. The lost section was filled entirely with layered urushi, then painted with urushi-e brushwork in red and gold and finished with the nashiji technique, transforming absence into one of the most striking elements of the piece.
Shigaraki Meets the Lacquer Artist's Brush
For most of its 800-year history, Shigaraki ware has drawn its character from the kiln alone. This cup now carries a second artistic voice. The black urushi panel, painted with gestural strokes of red and gold, introduces the vocabulary of lacquer art into a vessel born from earth and fire. Natural urushi lacquer continues to harden over decades, and the nashiji gold flecks within will deepen as the lacquer matures. Two of Japan's oldest craft traditions converge in a single cup.
About vessel:
- Type: Pottery
- Origin: Shigaraki ware
Materials used:
Production time (in months): 4
Care & Food Safety
-
- After use, wash the pieces using a soft sponge and foodsafe detergent.
- Rinse them in lukewarm or cool water and completely dry them using a soft dish cloth.
- Do not soak them in hot or cold water for long periods of time. This may cause the urushi or maki-e lacquer to peel or fracture.
- The urushi (Japanese lacquer) may break or the maki-e lacquer decoration may peel off if the piece is dropped or if it collides with other hard objects. Please handle these pieces carefully.
- Do not place these pieces in the microwave or dishwasher.
Safe for Everyday Use:
Restored with natural, non-toxic materials, our Kintsugi piece is safe for everyday use - no worries about leaks or harmful chemicals.
📦 Inside the Box
A traditional paulownia wood box (except for some flatware), with a Store Card, Care Instructions, and Certificate of Authenticity & Quality.
📱 See our packing on Instagram — @kintsugilabo
🚚 Worldwide Delivery
- Ships in 2–3 business days via DHL Express (international, tracked) or Japan Post (domestic). Estimated transit to USA, UK, Canada, and Australia: 1–2 weeks, subject to local customs.
- We ship to USA, UK, Canada, Australia, France, Italy, Switzerland, Belgium, Saudi Arabia, Singapore, Malaysia, Ireland, Brazil, Spain, and Japan. Contact us for other destinations.
- DHL does not deliver to PO Boxes.
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🛃 Duties & Taxes (DAP)
Our prices do not include import duties or taxes — these are set by your country's customs and are the buyer's responsibility. DHL will email you a secure payment link before delivery; once paid, your order is cleared and delivered.
- 🇺🇸 U.S. customers: a 10% import duty applies (effective February 24, 2026, subject to U.S. policy).
- 🎁 Gift orders: Duty notifications go to you (the buyer), not the recipient. If unpaid by the deadline, DHL may contact the recipient directly.
- ⚠️ Unpaid duties may delay delivery or return the package; return shipping may be deducted from refunds.
Beyond Kintsugi Restoration
Where Kintsugi Becomes Urushi Art
The Craft Behind the Beauty
Understanding the Art of Kintsugi
| Style | Finishing Material | Aesthetic & Philosophy |
|---|---|---|
| Kintsugi 金継ぎ |
Pure 24K gold powder | The classic finish — warm, luxurious, and rooted in history. |
| Gintsugi 銀継ぎ |
Fine silver powder | A cooler, contemporary register — serene and modern in feel. |
| Iro-Urushitsugi 色漆継ぎ |
Colored urushi | An expressive choice — vivid pigment harmonizing with the vessel's character. |
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